George Gissing and the Woman Question: Convention and Dissent

ISBN-13: 9780367882242 / Angielski / Miękka / 2019 / 232 str.

Christine Huguet; Simon J. James

Opis

George Gissing and the Woman Question reads Gissing's novels, short stories and personal writings as a crux in European fiction's formulations of gender and sexuality. The contributors place Gissing alongside authors as diverse as Paul Bourget, Ella Hepworth Dixon, May Sinclair and Theodore Dreiser, theorizing the ways in which late-Victorian sexua

Recenzje

A Yankee Book Peddler US Core Title for 2013 A Baker & Taylor Literary Essentials Title ’A luminous, wide-ranging examination of the Victorian novelist George Gissing’s relation to various issues related to the conditions, concerns, and representation of women in late-Victorian Britain, George Gissing and the Woman Question has numerous strengths, among them a fresh and searching consideration of a number of lesser-known fictional works by Gissing. An indispensable collection for Gissing scholars and critics of nineteenth-century British fiction’. Richard A. Kaye, Hunter College/The Graduate Center, CUNY, USA, author of The Flirt's Tragedy: Desire without End in Victorian and Edwardian Fiction 'This collection of essays ... in examining Gissing’s most important novels and a selection of his short fiction, begin[s] to produce a more holistic picture of the author’s portrayals of women and the woman question, without attempting to diminish the complexity or to ignore the variety of those portrayals.' Nineteenth-Century Gender Studies

Spis treści

Contents: Introduction: George Gissing and the woman question, Simon J. James and Christine Huguet; Part I Gissing’s Complex Discourse of (New) Womanhood: Gissing and prostitution, David Grylls; Gissing and women in the 1890s: the conditions and consequences of narrative sympathy, Constance D. Harsh; Gissing’s failed new men: masculinity in The Odd Women, Tara MacDonald; Gissing’s Nell: her body and his text, Roger Milbrandt; At high pressure? The spinster and the costs of independence in Gissing’s short stories, 1894-1903, Emma Liggins; Domesticity and discipline in Gissing’s short fiction, Rosemary Jann; It’s ’ard on a feller: female violence and the culture of refinement in Gissing’s The Nether World, Anthony Patterson. Part II Gissing’s Voice: A Comparatist Assessment: ’What is more vulgar than the ideal of novelists?’: the metaliterary ghost in The Odd Women, Cristina Ceron; Rewriting the addict: Gissings’s challenge to fin-de-siècle representations of the female alcoholic in The Nether World, Debbie Harrison; Knowing shopgirls: Monica Madden and Gissing’s refusal, Adrienne Munich; Women of letters: from New Grub Street to The Story of a Modern Woman, Maria Teresa Chialant; The solipsistic heroine in 1897: George Gissing’s The Whirlpool and May Sinclair’s Audrey Craven, Diana Maltz; ’Intriguing plebians’ and hypergamous desire: Paul Bourget’s Le Disciple and Born in Exile, M.D. Allen; Bibliography; Index.

O autorze

Christine Huguet is a Senior Lecturer at Université Charles-de-Gaulle Lille 3, France. She has edited volumes of essays on Gissing, George Moore and Charles Dickens. Simon J. James is Professor of Victorian Literature at the Department of English Studies, Durham University, UK. He is the author of Unsettled Accounts: Money and Narrative in the Novels of George Gissing.