In this path-breaking study, Mark Everist offers a fascinating and fine-grained account of the performance and appreciation of Gluck's music in nineteenth-century Paris. Drawing on his intimate knowledge of French musical life during this period, Everist documents an ongoing, variegated engagement with the composer's works, through concert performances, editions, and study, despite an almost complete lack of full, staged productions of the operas during the three
decades preceding Pauline Viardot's landmark performance in Orphée et Euridice at the Théâtre-Lyrique in 1859, in a version arranged by Berlioz.
Mark Everist is a musicologist whose field of study includes the music of Western Europe, 1150-1350, music in France between the Restoration and Commune, Music and Cultural Transfer, and Mozart reception. He is Professor of Music at the University of Southampton and was President of the Royal Musical Association from 2011 to 2017.