Gender and Islam in Indonesian Cinema

ISBN-13: 9789811021725 / Angielski / Twarda / 2017 / 207 str.

Alicia Izharuddin

Opis

This book presents a historical overview of the Indonesian lm industry, the relationship between censorship and representation, and the rise of women lmmakers in the post-New Order period. It considers scholarship on gender in Indonesian cinema through the lens of power relations. Examining key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, it resonates with the socio-political changes and upheavals in Indonesia s modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia. Offering cutting edge accounts of the use of Islamic cinema and mass media, this new book considers gendered dimensions of Islamic media usage which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia."

Spis treści

Gender and the divine pleasures of the cinema.- Dakwah at the cinema: identifying the generic parameters of Islamic films.- Visualising Muslim women and men: a longue durée.- Gender, Islam and the nation in New Order Islamic films.- Empowered Muslim femininities?: representations of women in post-New Order film Islami.- Poor, polygamous but deeply pious: Muslim masculinities in post-New Order film Islami.

O autorze

Alicia Izharuddin is a Senior Lecturer in Gender Studies at the Faculty of the Arts and Social Sciences, University of Malaya, in Malaysia. She received her PhD in Gender Studies from the School of Oriental and African Studies, University of London, UK, in 2014 and her research focuses on gender and sexuality in Malaysia and Indonesia from a feminist perspective.

Blurb

This book presents a historical overview of the Indonesian film industry, the relationship between censorship and representation, and the rise of women filmmakers in the post-New Order period. It considers scholarship on gender in Indonesian cinema through the lens of power relations. Examining key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, it resonates with the socio-political changes and upheavals in Indonesia’s modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia, and addresses the specific issue of Anglo-European born Muslim women who are being radicalized by Daish social media, through the analysis of films such as 'Mata Tertutup' (Closed Eyes) about a young woman's transformation into a suicide bomber. Offering cutting edge accounts of the use of Islamic cinema and mass media, this new book considers gendered dimensions of Islamic media usage which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia.