2. Earth and bone: framing posthumous materialities.
3. Posthumous landscapes and the earth-archive: archaeology, ethics and Birthplace.
4. Aftermath’s cinematic séance: anamorphosis, spectrality, and sentient matter.
5. The fabric with its rend: framing grief, materialising loss, and Ida’s temporalities.
6. A film found on a scrapheap: abjection, informe, and It Looks Pretty From A Distance
Matilda Mroz is Lecturer in Film Studies at the University of Sydney, Australia. Prior to this she was a Senior Lecturer at the University of Sussex, a British Academy Mid-Career Fellow and Research Fellow at the University of Cambridge. She is the author of several works on cinema, including Temporality and Film Analysis (2012).