List of FiguresAcknowledgments
1. Preamble
2. Ambiguity, Rhythm, and Participation in Radiohead’s “Pyramid Song”
3. Rhythmic Play, Compositional Intent, and Communication in Rock Music
4. The Backbeat as Expressive Device in Rock Music
5. Entrainment and the Human-Technology Interface, Historical and Technological Considerations
6. Entrainment and the Human-Technology Interface, Sociological and Aesthetic Considerations
7. Radiohead, Oxford, and a Rhythmic Holy Grail
Appendix: Vancouver and Los Angeles CrewsBibliographyIndex