ISBN-13: 9780415672931 / Angielski / Twarda / 2013 / 1688 str.
Since at least the early 1970s, when Claire Johnston observed that despite 'the enormous emphasis placed on woman as spectacle in the cinema ...woman as woman is largely absent', the relationship of cinema to the construction of gender identities and gendered pleasures has been a central concern within Film Studies. Bringing together the political concerns of second-wave feminism and the dizzying developments in theorizing about representation, culture, and society, early work-as exemplified by Johnston's writing-changed radically the nature of Film Studies and the issues which it would address. Later scholars attended to concerns about sexuality, drawing on queer theory; and race and ethnicity, often influenced by postcolonialism.