Film, Art, and the Third Culture: A Naturalized Aesthetics of Film

ISBN-13: 9780198790648 / Angielski / Twarda / 2017 / 288 str.

Murray Smith

Opis

In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever.

Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. Smith then goes on to focus on the role of emotion in film and the other arts, as an extended experiment in the 'third cultural' integration of ideas on emotion spanning the arts, humanities and sciences. While acknowledging that not all of the questions we ask are scientific in nature, Smith contends that we cannot disregard the insights wrought by taking a naturalized approach to the aesthetics of film and the other arts.

Recenzje

Smith's writing demonstrates considerable skill in its integration of informed scientific explanation, philosophical review, and application of a wide range of film examples-from classical and contemporary Hollywood as well as from European and Asian art cinema-with surprisingly productive comparisons such as between Ozu Yasujiro's The Flavour of Green Tea over Rice (1952) and the works of Stan Brakhage. I cannot tell film theorists what to read, and even if could, why would they listen to a philosopher? But I want film theorists to pick up this book because it offers them new and rich resources for reflecting on their practices and has just the right tone to solicit the reader's collaboration. Film, Art, and the Third Culture initiates a dialogue between natural scientists, philosophers, and film theorists, one that I very much hope will continue.

O autorze

Murray Smith is Professor of Film and co-director of the Aesthetics Research Centre at the University of Kent, and a Laurance S. Rockefeller Fellow at Princeton University's Center for Human Values for 201718. He was President of the Society for Cognitive Studies of the Moving Image from 201417. He has published widely on film, art, and aesthetics. In addition to the recent Film, Art, and the Third Culture: A Naturalized Aesthetics of Film (Oxford, 2017), his publications include Engaging Characters: Fiction, Emotion, and the Cinema (Clarendon); Trainspotting (BFI); Film Theory and Philosophy (co-edited with Richard Allen) (Clarendon); Contemporary Hollywood Cinema (co-edited with Steve Neale) (Routledge); and Thinking through Cinema (co-edited with Tom Wartenberg) (Blackwell).