Fiddler on the Move: Exploring the Klezmer World Book & CD

ISBN-13: 9780195161809 / Angielski / Miękka / 2003 / 168 str.

Mark Slobin

Opis

"Klezmer" is a Yiddish word for professional folk instrumentalist-the flutist, fiddler, and bass player that made brides weep and guests dance at weddings throughout Jewish eastern Europe before the culture was destroyed in the Holocaust, silenced under Stalin, and lost out to assimilation in America. Klezmer music is now experiencing a tremendous new spurt of interest worldwide with both Jews and non-Jews recreating this restless volatile, and vibrant musical culture. Firmly centered in the United States, klezmer has paradoxically moved back across the Atlantic as a distinctly "American" music, played throughout central and eastern Europe, as well as in many other parts of the world.
Fiddler on the Move places klezmer music squarely within American music studies, cultural studies, and ethnomusicology. Neither a chronology nor a comprehensive survey, the book describes a variety of approaches and perspectives for coming to terms with the highly diverse array of activities found under the klezmer umbrella. Bringing to his subject the insights of an accomplished ethnomusicologist, Slobin addresses such questions as: How does klezmer overlap with, and differ from, the many other contemporary "heritage" musics based on an assumed connection with a group identity and links to a tradition? How do economics, artistic expression, and the evocation of the past interact in motivating klezmer performers and audiences? In what kinds of environment does klezmer flourish? How do stylistic features such as genre, form, and ornamentation help to define the technique, affect, and aesthetic of klezmer? Featuring a music CD with many of the archival and contemporary recordings discussed in the text, this fascinating study will interest scholars, students, musicians, and music lovers

Recenzje

"Fiddler on the Move is written in a style that is very accessible....Slobin is at once more understanding and more critical of the music's past and its future. He cares about why people are called to klezmer, and how it functions in an age of world music....[The book] provides a rich sense of klezmer's historical and cultural roots, of the meaning of the music in both the old and new worlds....[He] gives the reader a sense of the music as it is played, with a detailed look at how several players interpret a common tune....Slobin does a great job of describing...the impact of so much loss of material on our understanding of klezmer today. This book will appeal to readers looking for insight into why klezmer pulls in so many listeners, [and] why it is we—and so many others—have developed a love for this music at this time."—Kim Bates, The Green Man Review

O autorze

Mark Slobin is Professor of Music and Chair of the Department of Music at Wesleyan University. A former president of the Society of Ethnomusicology, Mark Slobin is also the author of Subcultural Sounds: Micromusics of the West, Chosen Voices: The Story of the American Cantorate, and Tenement Songs: The Popular Music of the Jewish Immigrants.