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Kategorie szczegółowe BISAC

Feminism and Avant-Garde Aesthetics in the Levantine Novel: Feminism, Nationalism, and the Arabic Novel

ISBN-13: 9781137548702 / Angielski / Twarda / 2016 / 198 str.

Kifah Hanna
Feminism and Avant-Garde Aesthetics in the Levantine Novel: Feminism, Nationalism, and the Arabic Novel Hanna, K. 9781137548702 Palgrave MacMillan - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

Feminism and Avant-Garde Aesthetics in the Levantine Novel: Feminism, Nationalism, and the Arabic Novel

ISBN-13: 9781137548702 / Angielski / Twarda / 2016 / 198 str.

Kifah Hanna
cena 200,77
(netto: 191,21 VAT:  5%)

Najniższa cena z 30 dni: 192,74
Termin realizacji zamówienia:
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Dostawa w 2026 r.

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Feminism and Avant-Garde Aesthetics in the Levantine Novel examines the aesthetics of existentialism, critical realism, and surrealism in contemporary feminist literature in the Levant. It focuses on the novels of the Syrian writer Gh?dah al-Samm?n (b. 1942), the Palestinian Sahar Khal?feh (b. 1941), and the Lebanese Hud? Barak't (b. 1952) and argues that their mediations of the Lebanese Civil War of 1975-1990 and the Israeli-Palestinian conflict (especially since 1967) led to the development of a feminism specific to the Levant through avant-garde literary aesthetics. Writing in response to war and national crisis, al-Samm?n, Khal?feh, and Barak't introduce into the Arabic literary canon aesthetic forms capable of carrying Levantine women's experiences. By assessing their feminism in such a way, this book aims to revive a critical emphasis on aesthetics in Arab women's writing. Moreover, by setting literary representations of gender and sexuality in both national and regional contexts, it highlights 'the Levant' as an interstitial space that inspired new forms of Arab feminism.

Kategorie:
Nauka, Językoznawstwo
Kategorie BISAC:
Literary Criticism > Feminist
Literary Criticism > Middle Eastern
Literary Criticism > Women Authors
Wydawca:
Palgrave MacMillan
Seria wydawnicza:
Literatures and Cultures of the Islamic World
Język:
Angielski
ISBN-13:
9781137548702
Rok wydania:
2016
Wydanie:
2016
Numer serii:
000405063
Ilość stron:
198
Waga:
0.40 kg
Wymiary:
21.59 x 13.97 x 1.42
Oprawa:
Twarda
Wolumenów:
01
Dodatkowe informacje:
Bibliografia
Obwoluta
Wydanie ilustrowane

"The most important achievements of this book is its successful balance between the encyclopedic scope required to prove the existence and the importance of a literary movement and the close readings necessary to demonstrate the movement's avant-gardism. ... Hanna's Feminism and Avant-Garde Aesthetics in the Levantine Novel represents a valuable intervention in Arab feminist studies, Arab modernist studies, and trauma studies." (Rania Said, H-Levant, networks.h-net.org, August, 2017)

Introduction: Gender, Nation, and War: A New Critical Conjunction
1. The Vicious Cycle: Contemporary Literary Feminisms in the Mashriq
2. The Gendered Subject: Literary Existentialism in Gh?dah al-Samm?n's "Beirut Tetralogy"
3. Sahar Khal?feh's Resistance Literature: Towards a Palestinian Critical Realism
4. Gender Dialectics: Hud? Barak?t's Aesthetics of Androgyny
Afterword: Women Writing War, A Levantine Outlook

Kifah Hanna is Assistant Professor in the Department of Language and Culture Studies at Trinity College, USA.

Feminism and Avant-Garde Aesthetics in the Levantine Novel examines the aesthetics of existentialism, critical realism, and surrealism in contemporary feminist literature in the Levant. It focuses on the novels of the Syrian writer Gh?dah al-Samm?n (b. 1942), the Palestinian Sahar Khal?feh (b. 1941), and the Lebanese Hud? Barak?t (b. 1952) and argues that their mediations of the Lebanese Civil War of 1975-1990 and the Israeli-Palestinian conflict (especially since 1967) led to the development of a feminism specific to the Levant through avant-garde literary aesthetics. Writing in response to war and national crisis, al-Samm?n, Khal?feh, and Barak?t introduce into the Arabic literary canon aesthetic forms capable of carrying Levantine women's experiences. By assessing their feminism in such a way, this book aims to revive a critical emphasis on aesthetics in Arab women's writing. Moreover, by setting literary representations of gender and sexuality in both national and regional contexts, it highlights 'the Levant' as an interstitial space that inspired new forms of Arab feminism.



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