Female Agency and Documentary Strategies: Subjectivities, Identity and Activism

ISBN-13: 9781474431743 / Angielski / Miękka / 2019 / 224 str.

Boel Ulfsdotter; Anna Backman Rogers

Spis treści

Preface Kate Nash
Introduction Boel Ulfsdotter and Anna Backman Rogers

Section one: NEW MEDIA AND ACTIVISM
Chapter 1: KRISTOPHER FALLON: "The Pencil of Identity: Instagram as Inadvertent (Female) Autobiography"
Chapter 2: CADENCE KINSEY: "Archetype and Authenticity: Reflections on Amalia Ulman’s Excellences and Perfections"
Chapter 3: MONICA TITTON: "Blogging the Female Self: Authorship, Self-Performance and Identity Politics in Fashion Blogs"

Section two: RELATIONALITY, SELFHOOD AND SUBJECTIVITIES
Chapter 4: GAIL VANSTONE: "‘Scriptrix Narrans’ – Digital Documentary Storytelling’s Radical Potential"
Chapter 5: KIM MUNRO: "Hybrid Practices and Voice-Making in Contemporary Female Documentary Film"
Chapter 6: KERREEN ELY-HARPER: "Record Keeping: Family Memories on Film – Rea Tajiri’s History and Memory: For Akiko and Takashig and Wisdom Gone Wild"
Chapter 7: ANNA BACKMAN ROGERS: "Not Because My Heart Is Gone; Simply The Other Side": Francesca Woodman’s Relational and Ephemeral Subjectivity at the Limit of the Image"
Chapter 8: CARLA MAIA: "Other Women: Thinking Class and Gender in Contemporary
Interview: "Visualising Our Voices": Hong Kong Scholar and Film Director Vivian Wenli Lin, in Conversation With Boel Ulfsdotter"

Section three: IDENTITY POLITICS OF DOCUMENTARY
Chapter 9: ANNA MISIAK: "From Visceral Style to Discourse of Resistance": Reading Alka Sadat’s Afghan Documentaries on Violence Against Women"
Chapter 10: JOHN A. RILEY: "Documenting Georgia in Transition: The Films of Salome Jashi and Nino Kirtadze"
Chapter 11: LIDIA MERAS: "Profession: Documentarist. Underground Documentary Making in Iran"
Interview: "Reflecting Through Images": The Documentaries of Mercedes Alvarez by Linda Ehrlich