ISBN-13: 9781578068739 / Angielski / Miękka / 2006 / 330 str.
That Faulkner was a -liar- not just in his writing but also in his life has troubled many critics. They have explained his numerous -false stories, - particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of Faulkner's role-playing.Instead, this critical study by one of the most acclaimed international Faulkner scholars takes its cue from Nietzsche's concept of -truth as a mobile army of metaphors- and from Ricoeur's dynamic view of metaphor and treats the wearing of masks not as an ontological issue but as a matter of discourse.Honnighausen examines Faulkner's interviews and photographs for the fictions they perpetuate. Such Faulknerian role-playing he interprets as a mode of organizing experience and relates it to the crafting of the artist's various personae in his works. Mining metaphor as well as modern theories on social role-playing, Honnighausen examines unexplored aspects of image creation and image reception in such major Faulkner novels as The Sound and the Fury, Light in August, A Fable, and Absalom, Absalom