"Scholars of film history, media and culture, and political communication will find this book to be useful and informative." (Lindsay R. Martin, CBQ Communication Booknotes Quarterly, Vol. 51 (3-4), 2020)
1. Introduction: Fascism, and American Cinema.
2. Skinheads, Racism, (Neo-)Nazism and the Family.
3. Patriots and Militias, Fascism and the State.
4. A (Fascist) New World Order/A (Fascistically Contested) New World Order.
5. The Übermensch, its Avatars and the Ordinary.
6. Conclusion: The World Turns.
Leighton Grist is Reader in Media and Film Studies at the University of Winchester, UK. He has published extensively on film, including work on classical and post-classical Hollywood cinema, film theory and genre. He is the author of The Films of Martin Scorsese, 1963-77: Authorship and Context (2000) and The Films of Martin Scorsese, 1978-99: Authorship and Context II (2013).