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Existentialism and Contemporary Cinema: A Beauvoirian Perspective
ISBN-13: 9780857457295 / Angielski / Twarda / 2012 / 198 str.
Existentialism and Contemporary Cinema: A Beauvoirian Perspective
ISBN-13: 9780857457295 / Angielski / Twarda / 2012 / 198 str.
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Simone de Beauvoir's work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered 'othering' gaze. This book is an attempt to redress this balance and reopen the dialogue between Beauvoir's writings and film studies. The authors analyse a range of films, from directors including Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Sam Mendes, and Sally Potter, by drawing from Beauvoir's key works such as The Second Sex (1949), The Ethics of Ambiguity (1947) and Old Age (1970). Jean-Pierre Boule is Professor of Contemporary French Studies at Nottingham Trent University and the author of a number of books, notably on Sartre, including Sartre mediatique (1992) and Sartre, Self-Formation and Masculinities (2005). He is the co-founder of the U.K. Sartre Society and executive editor of Sartre Studies International. His most recent books include Jean-Paul Sartre: Mind and Body, Word and Deed, co-edited with Benedict O'Donohoe (2011) and a companion volume to the present one, Existentialism and Contemporary Cinema: A Sartrean Perspective, co-edited with Enda McCaffrey (2011). Ursula Tidd is Senior Lecturer in French Studies at the University of Manchester. She is the author of three monographs: Simone de Beauvoir, Gender and Testimony (1999); Simone de Beauvoir, Routledge 'Critical Thinkers' series (2004) and Simone de Beauvoir Reaktion 'Critical Lives' series (2009) as well as articles and chapters on Beauvoir's autobiographies, fiction, and philosophy. She is currently writing a monograph on the Francophone Spanish Holocaust writer Jorge Semprun (forthcoming with Legenda/MHRA 2013).
Simone de Beauvoirs work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered othering gaze. This book is an attempt to redress this balance and reopen the dialogue between Beauvoirs writings and film studies. The authors analyse a range of films, from directors including Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Sam Mendes, and Sally Potter, by drawing from Beauvoirs key works such as The Second Sex (1949), The Ethics of Ambiguity (1947) and Old Age (1970).Jean-Pierre Boulé is Professor of Contemporary French Studies at Nottingham Trent University and the author of a number of books, notably on Sartre, including Sartre médiatique (1992) and Sartre, Self-Formation and Masculinities (2005). He is the co-founder of the U.K. Sartre Society and executive editor of Sartre Studies International. His most recent books include Jean-Paul Sartre: Mind and Body, Word and Deed, co-edited with Benedict ODonohoe (2011) and a companion volume to the present one, Existentialism and Contemporary Cinema: A Sartrean Perspective, co-edited with Enda McCaffrey (2011).Ursula Tidd is Senior Lecturer in French Studies at the University of Manchester. She is the author of three monographs: Simone de Beauvoir, Gender and Testimony (1999); Simone de Beauvoir, Routledge Critical Thinkers series (2004) and Simone de Beauvoir Reaktion Critical Lives series (2009) as well as articles and chapters on Beauvoirs autobiographies, fiction, and philosophy. She is currently writing a monograph on the Francophone Spanish Holocaust writer Jorge Semprún (forthcoming with Legenda/MHRA 2013).
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