Preface, Tom Leitch; Film Remakes in the Context of European Cinema: an Introduction, Eduard Cuelenaere, Gertjan Willems & Stijn Joye; Conceptual Perspectives: Delineating and Pushing the Boundaries of Remake Studies; The Film Remake as a Prism: Towards a Model of Systematic Textual Analysis, Cuelenaere Eduard; 'The ‘Secret Remake’: A European Take on the Traditional Remake? Marie Martin; From ‘Mini-Remake’ to Open-ended Coda: How to Make a ‘Proper’ Homage, Peter Verstraten; Rainer Werner Fassbinder’s ‘Berlin Alexanderplatz’ (1980) as a Remake? Mario Slugan; Remakesploitation: Exploitation Film Remakes and the Transnational Giallo, Iain Robert Smith; Historical Perspectives: Continuity and Change; Re-forming La Maternelle: Social-Cultural Continuity and the Remake, Jennifer Forrest; Screening Transformation Processes: Post-war Remakes of Nazi-era Films, Stefanie Mathilde Frank; The Colour Remakes of Swedish Classics in the 1950s: Production, Promotion, and Critical Reception in the Context of Technological Innovation, Kamalika Sanyal & Eduard Cuelenaere; Contemporary Perspectives: European Film Remakes in the New Millennium; Remakes à la polonaise: From National Readaptations to Internationally Inspired Romcoms,
Kris Van Heuckelom; Nostalgic Mediations of the Soviet Past in Nikolai Lebedev’s Remake The Crew (2016), Boris Noordenbos & Irina Souch; Mistaken Identities: Millennial Remakes, Post-Socialist Transformation, and Hungarian Popular Cinema, Balazs Varga; Refashioning the Remake: A Bigger Splash, Constantine Verevis; Industrial Perspectives: Practices of Production and Circulation; Remake and decline in Scottish cinema: Whisky Galore 1949 and 2016, Robert Munro & Michael Stewart; ‘Remakable’ Directors: The Contemporary Spanish Media industry and the Popular Discourses on Remakes and National Authorship, Núria Araüna Baró; Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies, Chris Meir