Eduardo Herrera's Elite Art Worlds...have begun to grapple with the implications of what Baumol and Bowen called the 'economic dilemma'...along with the varying responses this dilemma has elicited from the 1960s to the present.
Eduardo Herrera is Associate Professor of Musicology at Rutgers, The State University of New Jersey. He researches Argentine and Uruguayan avant-garde music, postcoloniality in Latin America and, most recently, collective soccer chants as participatory music making and public affective practice. His co-edited volume Experimentalisms in Practice: Music Perspectives from Latin America (Oxford University Press, 2018) discusses a wide variety of artistic and musical traditions from Latin America, the Caribbean, and Latinos/as in the United States that are conceived or perceived as experimental.