Taking the studio as an object of scholarly inquiry...helps to make legible a dynamic that is often only dimly discernible.
Jennifer Iverson is a scholar of twentieth-century music, with a special emphasis on electronic music, avant-gardism, and disability studies. Jennifer's work crosses freely between music theory, musicology, sound studies, and cultural history, drawing together analysis, archival research, and intellectual discourse. Her articles appear in journals such as Music Theory Spectrum, Journal of the American Musicological Society,
twentieth-century music, and Music Theory Online. In 2015-16 she was a faculty fellow at the Stanford Humanities Center and now teaches at the University of Chicago.