AcknowledgementsNote on the textIntroduction: Disability and/as Theatricality
1 The Work of Standing and of Standing-for:
Disability, Movement, Theatrical Personation in The Fair Maid of the Exchange2 The Sound of Prosthetic Movement:
Transnational and Temporal Analogy in A Larum for London3 ‘Faustus has his legge again’:
Truncation and Prosthesis, Theatricality and Bibliography in Doctor Faustus4 Richard’s ‘giddy footing’:
Degree of Difference and Cyclical Movement in Shakespeare’s Richard IIINotesBibliographyIndex