List of Figures
Notes on Contributors
Acknowledgements
IntroductionDanielle Rosvally (University at Buffalo, USA) and Donovan Sherman (Seton Hall University, USA)
Part One: Proximity
1. Liveness in Virtual Early Modern Theatre
Rebecca Bushnell (University of Pennsylvania, USA)
2. Impressions of Liveness in Shakespeare, at a Distance
Stephanie Shirilan (Syracuse University, USA)
3. Medium Specificity, Medium Convergence, and Aliveness in the Chromakey (2018) and Big Telly Zoom (2020) MacbethsThomas Cartelli (Muhlenberg College, USA)Part Two: Performance
4. Liveness in VR and AR Shakespeare Adaptations
Aneta Mancewicz (Royal Holloway, University of London, UK)
5. Alive in the (Early) Modern Repertory
Elizabeth E. Tavares (University of Alabama, USA)
6. Contemporary Turkish Shakespeares: New Breath to Old Lives
Murat Ögütcü (independent scholar, Turkey)
7. Death Draws Down our Curtain: Liveness Beyond Life in Early Modern Persianate Islam
Kenneth Molloy (Brown University, USA)
8. Signs of Liveness: The Blazing Star in Renaissance Drama
Gina M. Di Salvo (University of Tennessee, Knoxville, USA)
9. The Apparitional Audience: Prophesizing Live Collectives in Modern India and Early Modern England
Jonathan Gil Harris (Ashoka University, India)
Index