ISBN-13: 9780674073227 / Angielski / Twarda / 2013 / 538 str.
ISBN-13: 9780674073227 / Angielski / Twarda / 2013 / 538 str.
What drives literary change? Does literature merely follow shifts in a culture, or does it play a distinctive role in shaping emergent trends? Michael Fuller explores these questions while examining the changes in Chinese "shi" poetry from the late Northern Song dynasty (960 1127) to the end of the Southern Song (1127 1279), a period of profound social and cultural transformation.
"Shi" poetry written in response to events was the dominant literary genre in Song dynasty China, serving as a central form through which literati explored meaning in their encounters with the world. By the late Northern Song, however, old models for meaning were proving inadequate, and" Daoxue" (Neo-Confucianism) provided an increasingly attractive new ground for understanding the self and the world. "Drifting among Rivers and Lakes" traces the intertwining of the practice of poetry, writings on poetics, and the debates about "Daoxue" that led to the cultural synthesis of the final years of the Southern Song and set the pattern for Chinese society for the next six centuries. Examining the writings of major poets and Confucian thinkers of the period, Fuller discovers the slow evolution of a complementarity between poetry and "Daoxue" in which neither discourse was self-sufficient."