ISBN-13: 9781611478457 / Angielski / Miękka / 2017 / 200 str.
ISBN-13: 9781611478457 / Angielski / Miękka / 2017 / 200 str.
Double Shakespeares examines contemporary performances of Shakespeare plays that employ the -emotional realist- traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism: that the actor may aspire to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated realist modes of acting; and it equally troubles theorists and theatre practitioners today. The book first looks at contemporary performances that foreground the doubleness of the actor's body, particularly through cross-dressing. It then examines narratives of Shakespearean rehearsal--both fictional representations of rehearsal in film and video, and eye-witness narratives of actual rehearsals--and how they show us the process by which the actor does or does not -become- the character. And, finally, it looks at modern performances that -frame- Shakespeare's play as a play-within-a-play, showing the audience both the character in the Shakespeare play-within and the actor in the frame-play acting that character.