'This is a book that takes a broadly synchronic look across the Byzantine world, a view that different works of art in different media from different times and places nonetheless speak to the same broad Christian world-view, to similar structures … This is a perspective that makes us think and it makes us question, and that is what the best scholarship should do.' Liz James, The English Historical Review
Introduction: methodologies for the study of donor portraits; 1. The history and problematic of the donor portrait; 2. On meaning in portraits. The knot of intention and the question of the patron's share; 3. Awaiting the end after the end. Sin, absolution, and the afterlife; 4. Exchange and non-exchange. The gift between human and divine; 5. The literal, the symbolic, and the contact portrait. On belief in the interaction between human and divine; Postscript: the problem of terminology again. Donor portraits and contact portraits.