List of illustrations; Series Preface; 1. Series Introduction: Distributed Cognition and the Humanities, Miranda Anderson, Michael Wheeler and Mark Sprevak; 2 Introduction: I. Distributed Cognition in Victorian and Modernism Studies – An Overview, Peter Garratt; II. Distributed Cognition in Victorian and Modernism Studies – Our Volume, Miranda Anderson; 3. The Victorian Extended Mind: George Eliot, Psychology, and the Bounds of Cognition, Peter Garratt; 4. Instrumental Eyes: Enacted and Interactive Perception in Victorian Optical Technologies and Victorian Fiction
Nicole Garrod-Bush; 5. Aesthetic Perception and Embodied Cognition: Art and Literature at the Fin de Siècle, Marion Thain; 6. The Heterocosmic Self: Analogy, Temporality and Structural Couplings in Proust’s Swann’s Way, Marco Bernini; 7. Distributed Cognition and the Phenomenology of Modernist Painting and Poetry (Rilke and Cézanne), Jennifer Anna Gosetti-Ferencei; 8. Directionality and Duration in Distributed Consciousness: Modernist Perspectives on Photographic Objectivity, Adam Lively; 9. Walking, Identity and Visual Perception in Romantic and Modernist Literature, Andrew Michael Roberts and Eleanore Widger; 10. Surrealism, Chance and the Extended Mind, Kerry Watson; 11. Distributed Cognition, Porous Qualia, and Modernist Narrative, Melba Cuddy-Keane; 12. Nietzsche’s Genealogie der Moral pro and contra distributed cognition,
E. T. Troscianko; 13. A 5th E: Distributed Cognition and the Question of Ethics in Benjamin and Vygotsky, and Horkheimer and Dewey, Ben Morgan; Notes on contributors; Bibliography.