Dark Horizons: Science Fiction and the Dystopian Imagination

ISBN-13: 9780415966146 / Angielski / Miękka / 2003 / 288 str.

Tom Moylan; Raffaella Baccolini; Raffaella Baccolini Ildney Cavalcanti

Opis

This text presents essays on the dystopian turn of late 20th-century science fiction. Leading scholars discuss major dystopian traditions including cyberpunk and feminist utopian/dystopian narratives as seen in works such as Octavia Butler's novel Xenogenesis and the film Fight Club. These essays draw out the ways in which contemporary science fiction literature and film has served as a prophetic vehicle for writers with ethical and political concerns.

Recenzje

"Dark Horizons is a stimulating and imaginative set of essays which demonstrate the transgressive and polyvalent nature of contemporary science-fiction dystopias. They precipitate us into the twenty-first century with a sense of foreboding - but also of hope." -- Barbara Goodwin, Professor of Politics, University of East Anglia, Norwich
"Dark Horizons is a timely and highly significant book bound to make readers reflect critically on what has happened to the utopian hope of the 1960s. A collection of essays on Anglo-American science fiction and film and the dystopian imagination superbly edited by Raffaella Baccolini and Tom Moylan, this volume sheds critical light on the propensity of many writers, filmmakers, and critics to depict dystopian views of the world during the dark times of the 1980s, 1990s, and the onset of the twenty-first century. Most of the essayists are leading scholars of utopian studies, and they cover a range of topics and works with perspicacity while carefully delineating notions of the utopian, eutopian, and dystopian. Altogether the essays constitute the first major attempt to come to terms with contemporary dystopian literature and film and to suggest alternative and critical readings that paradoxically reveal the hope of pessimism and skepticism." -- Jack Zipes, University of Minnesota
"Dark Horizons is a valuable resource in utopian and sf studies." -- Graham J. Murphey, Science Fiction Studies

Spis treści

ContentsIndroduction: Dystopia and Histories Raffaella Baccolini and Tom Moylan1. Utopia in Dark Times: Optimism/Pessimism and Utopia/Dystopia Ruth Levitas and Lucy Sargisson2. Genre Blending and the Critical Dystopia Jane Donawerth3. The Writing of Utopia and the Feminist Critial Dystopia: Suzy MKee Charnas' Holdfast Series Ildney Cavalcanti4. Cyberpunk and Dystopia: Pat Cadigan's Networks David Seed5. Posthuman Bodies and Agency in Octavia Butler's Xenogenesis Naomi Jacobs6. 'A useful knowledge of the present is rooted in the past': Memory and Historical Reconciliation in Ursula K. LeGuin's The Telling Raffaella Baccolini7. 'The moment is here...and it's important': State, Agency, and Dystopia in Kim Stanley Robinson's Antarctica and Ursula K. LeGuin's The Telling Tom Moylan8. Unmasking the Real? Critique and Utopia in Recent SF Films Peter Fitting9. Where the Prospective Horizon is Omitted: Naturalism and Dystopia in Fight Club and Ghost Dog Phillip E. Wegner10. Theses on Dystopia and Anti-Utopia Darko Suvin11. Concrete Dystopia: Slavery and its Others Maria Varsam12. The Problem of the 'Flawed Utopia': A Note on the Costs of Eutopia Lyman Tower SargentConclusion: Critical Dystopia and Possibilities Raffaella Baccolini and Tom MoylanNotes on ContributorsIndex

O autorze

Tom Moylan is Glucksman Professor of Contemporary Writing at the University of Limerick. He is author of Scraps of the Untainted Sky: Science Fiction, Utopia, Dystopia and Demand the Impossible: Science Fiction and the Utopian Imagination (Routledge), and coeditor of Not Yet: Reconsidering Ernst Bloch.
Raffaella Baccolini is Associate Professor of English at the University of Bologna.