Culture Work: Folklore for the Public Good

ISBN-13: 9780299338206 / Angielski / Twarda / 2022 / 440 str.

Tim Frandy; B. Marcus Cederström

Spis treści

• Acknowledgments
• IntroductionTim Frandy and B. Marcus CederstrÖm
• Public Folklore, Cultural Equity, and the Wisconsin Idea of Folklore
  From a Potato Hole, Part 2: Collaboration, Repatriation, and Cultural Equity James P. Leary The National Endowment for the Arts National Heritage Fellowships: A Reflection on the Roots and Impact of a National Cultural Heritage Honorific Program Cheryl T. Schiele The Lion’s Side: DiscoverME/RecoverME and the Utilization of Storytelling for Emotional Transformation David Olawuyi Fakunle Notes from the Field: Activism, Folklore Research, and Human Rights on the South Carolina Sea Islands in the 1960s Mary Arnold Twining Prison Landscapes and the Wisconsin Idea: Shaping the Study of a Public Occupational Culture Claire Schmidt Revitalizing Franco-American Song Carmen Bombardier, Kim Chase, Robert Desrosiers, Andy Kolovos, Lisa Ornstein
• Beyond Preservation and Conservation
  Securing a Future for the Nation’s Folklore Documentation Heyday Nicole Saylor Collections: Opportunities and Responsibilities Terri Van Orman “We Have All Been Neighbors Here”: Preservation, Access, and Engagement with the Arnold Munkel Collection Nathan D. Gibson and Anna Rue Running the Show: Documenting and Exhibiting Wisconsin Folk Art Robert T. Teske The Bobbing Boat: Lasting Impressions, Rejuvenated Memories, and Intriguing Prospects Janet C. Gilmore The Smithsonian Folklife Festival Model as Transferable Technology for Cultural Heritage Craft Tourism in Local Museums Diana Baird N’Diaye
• Amplifying Local Voices
  Songs of the Finnish Migration: Amplification and Revitalization Thomas A. DuBois and B. Marcus CederstrÖm The Down Home Dairyland Story Richard March Then and Now: Public Folklore and the Folklorist in Missouri Lisa L. Higgins Applying Ethnicity: The Case of Olga Edseth’s Hot Pink Rosemaled Pumps in Mount Horeb, Wisconsin Jared L. Schmidt “Let the Blood Roses Grow”: Workers’ Worldviews in the Music of Oren Tikkanen Hilary-Joy Virtanen
• Creating Community
  Stacking Brooms: Curling Camaraderie and Folklore in a Time of Transition Anne Pryor “We Wanted to Save Something While There Was Still Something Left”: Restoration and Cultural Maintenance at The Oulu Cultural and Heritage Center Mirva Johnson “A Growing Art”: Traditional Arts and Heritage Rediscovery in Northern Minnesota Scandinavian Communities Sallie Anna Steiner The Art of Survival on the Iron Range: Economic Strategies after the Iron Is Gone Rhonda R. Dass A Fish Sandwich for All Yvonne R. Lockwood Grocery Stores as Sites for the Study of Material Communication: Ethnographic Guidelines Ayako Yoshimura
• Engaging with the Past
  “The Wisconsin Historical Society Gave Me Your Name”: Doing Out-(and In-)reach on Campus, in Wisconsin, and Beyond Troy Reeves Shoemaker, Frey, and Yoder and the Pennsylvania Dutch Idea Mark L. Louden Finding Tradition in the Archives: Craft as Research and Research as Craft Rebecca J. Keyel Hoaxes, History, Legends, and the Circulation of Stories: The Wisconsin Historical Society and Wisconsin’s Petrified French Explorer Jennifer Gipson Re-animating the Past: Traveling through Michigan with Alan Lomax’s 1938 Films Guha Shankar Translating Context with Digital Media in Medieval Icelandic Literature: Hrafnkels saga and the eSaga Project Colin Gioia Connors
• Creating the Future Out of the Past
  “I Need to Make a Dollar”: On the Road with Working-Class Protest Songs Bucky Halker A Business Model for Folklore: Profitable, Wholehearted, and Cinematic Jamie Yuenger “Did Ole Really Say That?” Linguistics, Folklore, and Heritage Languages Joseph Salmons “Este Lugar Tiene Muchas Historias”: Alternative Forms of Archiving and Community Engagement in Oaxaca, Mexico Hilary Morgan V. Leathem Haunting Acknowledgment: Archiving Women’s March Folklore and the Political Potential of Care Ethics Christine Garlough
• Works Cited
  Contributors
  Index