Critical Approaches to the Production of Music and Sound

ISBN-13: 9781501355783 / Angielski / Miękka / 2019 / 288 str.

Samantha Bennett; Eliot Bates

Spis treści

List of Figures List of Tables List of Contributors Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique Eliot Bates and Samantha Bennett Section 1: Situating Production: Place, Space and Gender Chapter 2: Field Recording and the Production of Place Tom Western (University of Edinburgh, Scotland) Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production Damon Minchella (University of Birmingham, England) Chapter 4: “An Indestructible Sound”: Locating Gender in Genres Using Different Music Production Approaches Paula Wolfe (Sib Records, England) Section 2: Beyond Representation Chapter 5: Producing TV Series Music in Istanbul Eliot Bates (City University of New York, USA) Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music Karl Neuenfeldt (Queensland Conservatorium, Griffith University, Australia) Section 3: Electronic Music Chapter 7: “All Sounds Are Created Equal”: Mediating Democracy in Acousmatic Education Patrick Valiquet (University of Edinburgh, UK) Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance Mike D’Errico (UCLA, USA) Section 4: Technology and Technique Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology Alan Williams (UMASS, Lowell, USA) Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair Owen Marshall (Cornell University, USA) Section 5: Mediating Sound and Silence Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation Ragnhild Brøvig-Hanssen (University of Oslo, Norway) Chapter 12: Six Types of Silence Richard Osborne (Middlesex University, England) Section 6: Virtuality and Online Production Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production Samantha Bennett (Australian National University, Australia) Chapter 14: Crowdfunding and Alternative Modes of Production Mark Thorley (Coventry University, England) Index