Crisis and Communitas: Performative Concepts of Commonality in Arts and Politics

ISBN-13: 9781032138053 / Angielski

Dorota Sajewska; Malgorzata Sugiera

Opis

This book is a critical, transdisciplinary examination of a broad range of philosophical ideas, theoretical concepts, and artistic projects of community in the 20th and 21st century in the context of global/local social and political changes.

This volume opens new vitas by focusing on carefully selected instances of multipronged crises in which existing concepts of commonality are questioned, reformulated, or even speculatively designed with a (better) future in view. As many authors of this volume argue, in the face of today’s unprecedented global ecological and economic challenges speculative design is of utmost importance as it can foster alternative, unthought-of forms of connectivity that go far beyond progressivist narratives of nation, corporation, and nuclear family. Focusing on the situations of upheaval, both historical and fabulated, the collection not only examines how multipronged crises trigger antagonisms between egalitarian forms of communitas and the normative concept of the nation (and other normative forms of communities) as a community that separates and excludes. It also looks closely at philosophical and artistic projects that strive to go beyond the dichotomies and typically extrapolated utopias, envisaging new political economies, ways of living and alternative relational structures.

It will be of great interest to students and scholars in performance studies, cultural studies, political studies, media studies, postcolonial and decolonial studies, critical anthropology.

Spis treści

List of Contributors

Crisis and Communitas. An Introduction: Dorota Sajewska and Małgorzata Sugiera

Part I: Community as Potentiality

Chapter 1: Jeremy Gilbert, An Aesthetics of Solidarity: Collective Becoming After Neoliberalism　

Chapter 2: Małgorzata Sugiera, Speculative Communities:　Designing　Contact Zones　in Times of Eco-Eco-Crisis　

Chapter 3: Tadeusz Koczanowicz, The Emotional Citizenship of Exile

Chapter 4: Katarzyna Bojarska, Past in Common: Departing from History

Part II: Bodies and the Communal Power

Chapter 5: Dorota Sajewska, Affective Communitas. Towards a Performative Theory of Historical Agency

Chapter 6: Dorota Sosnowska, Towards Ephemeral Communities of Care: AIDS, Political Transition, and Crisis

Chapter 7: Eduardo Jorge de Oliveira, Inventing Skins. Reinventing Community: Writing, Performance and Theory in Brazil (1960–2020)

Chapter 8: Nina Seiler, Maria Janion’s Frenzy: Transgressing the Crisis of 1968

Part III: Imageries of the Commons

Chapter 9: Paweł Mościcki, Sharing Image, Sharing Time. Dante, Visibility and the Common.

Chapter 10: Fabienne Liptay, Just Numbers: From Extras to Agents of an Uncountable Community

Chapter 11: Mikkel　Bolt Rasmussen, An Avant-Garde　with its Back to the Future: Affirming the Crisis　

Chapter 12: Louise Décaillet, Assembling the Audience: The Spread of the Parliamentary Form in Contemporary Arts

Part IV: Artists Speak!

Manifest 1: Marc Streit, On Eating and Being Eaten: Notes on the zürich moves! 2019 research and contextualisation

Manifest 2: Wojtek Ziemilski, What Do We Want? Society! When Do We Want it? Now! "Come Together" and its Discontents

Manifest 3: Ema Hesterová and Peter Sit (APART collective), Torn apart

In a historical perspective. Interview with Susan Buck-Morss

Index

O autorze

Dorota Sajewska is a cultural theorist, theatre, and performance scholar, as well as dramaturge for theatre and dance. She is an assistant professor of Interart (Eastern Europe) at the University of Zurich, and former assistant professor for Theatre and Performance at the University of Warsaw. From February 2023 she will be a full professor of Theatre Studies at the Ruhr University Bochum in Germany.

Małgorzata Sugiera is a cultural theorist whose research concentrates on performativity theories, and environmental and decolonial studies. She is a professor at Jagiellonian University in Kraków, Poland, and head of the Department for Performativity Studies. She was a Research Fellow of the Alexander von Humboldt Foundation; DAAD; the American Andrew Mellon Foundation; and the IRC, Interweaving Performance Cultures, at the Freie Universität Berlin.