Chapter 1: Why Do We Need a New Vocabulary for Creativity?
Chapter 2: Affordance
Chapter 3: Body
Chapter 4: Business as Usual
Chapter 5: Craft
Chapter 6: Difference
Chapter 7: Digital
Chapter 8: Fear
Chapter 9: Language
Chapter 10: Lostness
Chapter 11: Memory
Chapter 12: Mess
Chapter 13: No
Chapter 14: Pathways
Chapter 15: Perspective
Chapter 16: Power
Chapter 17: Reflexivity
Chapter 18: Rhythm
Chapter 19: Rules
Chapter 20: Silence
Chapter 21: Space
Chapter 22: Stumbling
Chapter 23: Things
Chapter 24: Translation
Chapter 25: Upcycling
Chapter 26: World-making
Vlad Petre Glăveanu is Full Professor of Psychology at Dublin City University, Ireland, and Professor II at the Centre for the Science of Learning and Technology at the University of Bergen, Norway. He is the founder and president of the Possibility Studies Network (PSN), editor of the journal Possibility Studies & Society (Sage), and series editor, with Brady Wagoner, of the series Palgrave Studies in Creativity and Culture. His work focuses on creativity, imagination, culture, collaboration, wonder, and possibility.
Lene Tanggaard is Dean at Kolding School of Design in Denmark and Full Professor of Psychology at Aalborg University, Denmark. Lene is the founder of the Centre for Qualitative Studies at Aalborg University and member of a number of boards, including The Danish Council for Research and Innovation and The Danish Design Center, Design Society in Denmark. Her work focuses on learning, creativity, design. vocational education and qualitative methodology.
Charlotte Wegener is Associate Professor at the Department of Communication and Psychology, Aalborg University, Denmark. She researches social innovation in welfare organizations and education with a particular interest in learning across organizational and professional boundaries. Inspired by her background in music science and literature, she is passionate about language as material and seeks to expand academic writing by involving fiction, music, dreams, and everyday life experiences.
Creativity — A New Vocabulary proposes a novel approach to the way in which we talk and think about creativity. It covers a variety of topics not commonly associated with creativity that offer us valuable insights and open up new and exciting possibilities for creative action. This second edition includes six new essays which continue to challenge the traditional vocabulary of creativity and its preference for individuals, brains, cognition, personality, divergent thinking, insight, and problem solving. The book proposes a more dynamic and relational perspective that considers creativity as an embodied, social, material, and cultural process. This book will be useful for a wide range of specialists within the humanities and social sciences, as well as practitioners from applied fields who are looking for novel ways, of thinking about and doing creative work.
Vlad Petre Glăveanu is Full Professor of Psychology at Dublin City University, Ireland, and Professor II at the Centre for the Science of Learning and Technology at the University of Bergen, Norway. He is the founder and president of the Possibility Studies Network (PSN), editor of the journal Possibility Studies & Society (Sage), and series editor, with Brady Wagoner, of the series Palgrave Studies in Creativity and Culture. His work focuses on creativity, imagination, culture, collaboration, wonder, and possibility.
Lene Tanggaard is Dean at Kolding School of Design in Denmark and Full Professor of Psychology at Aalborg University, Denmark. Lene is the founder of the Centre for Qualitative Studies at Aalborg University and member of a number of boards, including The Danish Council for Research and Innovation and The Danish Design Center, Design Society in Denmark. Her work focuses on learning, creativity, design. vocational education and qualitative methodology.
Charlotte Wegener is Associate Professor at the Department of Communication and Psychology, Aalborg University, Denmark. She researches social innovation in welfare organizations and education with a particular interest in learning across organizational and professional boundaries. Inspired by her background in music science and literature, she is passionate about language as material and seeks to expand academic writing by involving fiction, music, dreams, and everyday life experiences.