"Rogers has woven a brilliant account of how Romantic obsession and resultant madness are not merely psychological phenomena, which, given the breadth of the scholarship here, would represent a misreading of the period, but embodied, pathologized, medicalized events. ... She has opened up new seams of inquiry, notably in texts she does not even mention in her book ... these and other texts should be re-examined in light of Rogers's work." (Jeffrey Cass, European Romantic Review, January 27, 2022)
1. Introduction: Scorpions in the Mind.- 2. Vigilia and the Science of the Mind in William Godwin's Caleb Williams and Charles Brockden Brown's Edgar Huntly, or Memories of a Sleepwalker.- 3. Intellectual Monomania and Enthusiasm in Mary Shelley's Frankenstein and Mary Hays's Memoirs of Emma Courtney.- 4. The Stings of Love: Erotomania and Nymphomania in John Keats's Isabella, or The Pot of Basil and Charlotte Dacre's The Passions.- 5. Revolutiana and the Sublime in George Gleig's Subaltern, Lord Byron's Siege of Corinth, and Joanna Baillie's Count Basil.- 6. Ideality and Art in Samuel Taylor Coleridge's "Rime of the Ancient Mariner" and Edgar Allen Poe's "Berenice" and "The Tell-Tale Heart".- 7. Coda: From Scorpions to Spiders, A.S. Byatt's Possession.
Kathleen Béres Rogers is an Associate Professor of English at the College of Charleston, South Carolina, USA.