Counter-Memories in Iranian Cinema

ISBN-13: 9781474479752 / Angielski / Twarda / 2021 / 272 str.

Matthias Wittmann; Ute Holl

Spis treści

Introduction, Matthias Wittmann and Ute Holl; Part I: AN ARCHAEOLOGY OF POSSIBLE FUTURES; Chapter 1: The Incomplete: Film, Politics, and Remembering the Past, Tara Najd Ahmadi; Chapter 2: The Hidden Half, or the Temporal and Collective Politics of Counter-Memory, Sara Saljoughi; Chapter 3: Counter-Investigations. On Matchboxes, Black Boxes and other Forgotten Futures, Chowra Makaremi and Emmanuel Alloa; Part II: MATERIAL MATTERS – MEMORY, ACCESSIBILITY, TRANSLATION; Chapter 4: An Archaeology of Access: Materiality, Historiography, and Iranian Cinema, Blake Atwood; Chapter 5: Black Seals: Missive from Iran’s National Music, Negar Mottahedeh; Chapter 6: Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami's Koker Trilogy, Ute Holl; PART III: INTERSTICES. NICHES. IMPURE MEMORIES; Chapter 7: Towards an Impure Memory: An Archaeology of Counter-Memories through Telescoping Lenses, Matthias Wittmann; Chapter 8: Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami’s Shirin (2008), Michelle Langford; Chapter 9: Spiritual Counter-Memories of the War: Mohammad Ali Ahangar’s Recent Contributions to the S?nem?-ye Def??-ye Moqaddas, Viktor Ullmann; PART IV: TRANSGENERATIONAL GAPS AND TRANSMISSIONS; Chapter 10: Filmfarsi as Counter-memory, Pedram Partovi; Chapter 11: A Shadow for Invisible Films. A Way to Break the Monopoly of Image Production in Iran, Shahram Mokri; Chapter 12: At the End of a Century (1996), Bahram Beyzaie (translated by Amir Roshan)