"A recommendable book for all those who have interest in contemporary conservation thinking and a must suggestion for a gift box, competent library, students' complementary reading material or just for the vocational conservator."
Christabel Blackman, E- Conservation magazine
"A timely contribution to a complex and evolving debate."
Mary M Brooks, ICON News
"Having read the book I began to see how museum conservators could benefit from the contributions and perspectives provided by those in related disciplines. In this respect the collection of papers reads like a journey, commencing with Ruskin and Morris, and concluding with a paper on Andy Goldsworthy and Installation Art, but travelling by way of the archaeology of conservation, cultural significance, and issues surrounding the presentation of indigenous artefacts. In short, the book achieved its aims. There is much that provokes thought and argument spread across its twenty-one chapters."
Keith Emerick, Conservation and Management of Archaeological Sites
Jonathan Ashley-Smith, formerly V&A Museum; Erica Avrami, World Monuments Fund; Zuzana Bauerova, Cultureplus Ltd; Isabelle Brajer, National Museum of Denmark; Simon Cane, Birmingham Museums and Art Gallery; Chris Caple, University of Durham; Miriam Clavir, Museum of Anthropology at the University of British Columbia; Helen Clifford, University of Warwick; Dinah Eastop, Textile Conservation Centre, University of Southampton; Jim Enote, A:shiwi A:wan Museum and Heritage Center / Mountain Institute; Tina Fiske, University of Glasgow; Cathleen Hoeniger, Queen's University Canada; Jukka Jokilehto, formerly ICCROM and ICOMOS; Marian A. Kaminitz, National Museum of the American Indian; Jonathan Kemp, V&A Museum; Harvey Molotch, New York University; Salvador Muñoz Viñas, Universidad Politécnica de Valencia; Elizabeth Pye, University College London; Curtis Quam, A:shiwi A:wan Museum and Heritage Center; Jonathan Rée, freelance philosopher and historian; Marcelle Scott, University of Melbourne; Catherine Smith, University of Otago; Nicholas Stanley-Price, formerly ICCROM; Jill Sterrett, San Francisco Museum of Modern Art; W. Richard West, Jr., Founding Director Emeritus, National Museum of the American Indian; Glenn Wharton, Museum of Modern Art; Eileen Yatsattie, Potter