Confessio Amantis or Tales of the Seven Deadly Sins

ISBN-13: 9781469928241 / Angielski / Miękka / 2012 / 344 str.

John Gower

Opis

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Confessio Amantis ( The Lover's Confession ) is a 33,000 line Middle English poem by John Gower, which uses the confession made by an ageing lover to the chaplain of Venus as a frame story for a collection of shorter narrative poems. According to its prologue, it was composed at the request of Richard II. It stands with the works of Chaucer, Langland, and the Pearl poet as one of the great works of late 14th century English literature. In genre it is usually considered a poem of consolation, a medieval form inspired by Boethius' Consolation of Philosophy and typified by works such as Pearl. Despite this, it is more usually studied alongside other tale collections with similar structures, such as the Decameron of Boccaccio, and particularly Chaucer's Canterbury Tales, with which the Confessio has several stories in common. To his contemporaries, Gower's work was generally as well known as the poetry of Chaucer: Caxton printed Gower's work alongside Chaucer's, and Caxton became part of the early canon of English literature. But it was Chaucer's works which became the model for future poets, and the legacy of the Confessio has suffered as a result. It is hard to find works that show signs of direct influence: the only clear example is Shakespeare's Pericles, where the influence is conscious borrowing: the use of Gower's characteristic octosyllabic line for the character of Gower himself. While not of immense importance as a source for later works, the Confessio is nonetheless significant in its own right as one of the earliest poems written in a form of English that is clearly recognizable as a direct precursor to the modern standard, and, above all, as one of the handful of works that established the foundations of literary prestige on which modern English literature is built.