"All present and future readers of Coleridge's poetry will be indebted to Mays for having so thoroughly and incisively taken the measure of the language of Coleridge's poetry ... ." (Charles Mahoney, Studies in Romanticism, Vol. 58 (1), 2019)
CONTENTS
Preface
Abbreviations and References
1 Taking Bearings, Setting a Course
what, when and why
peculiar distractions
almost like a subplot
and further
ideal core of the onion
neither sheep nor goats
2 What Does the Poem Do?
odds
simply
ballad
words
shape
pictures
mix
so what
3 As a Poem of the Imagination
return to source
sensible and intelligible worlds
touching Reason
consequences
4 Wordsworth as Collaborator and Contributor
seeds
early collaboration
the third attempt
a different direction
and sudden surprise
5 The Shadow Cast by Wordsworth
the pairing
welcome to Town End
counter-statement
further reformulations
legacy
6 Revision, Gloss, Choice
variants, versions, phases
the 1800 version
the 1817 version
gloss
choice
7 A Reputation by Default
terms of acceptance
provisional welcome (1800-1850)
illustrated and examined, honoured and altered (1850-1910)
Appendix 2: Reading "Alice du Clós", and for the Birds
preamble
narrative
characters in action
enlarging stanzas and their rhymes
a scheme of echoes
postponed problems
a "live" solution
clarifying comparisons
beyond the text
Notes
Bibliography
Index
J. C. C. Mays is Professor Emeritus of English and American Literature at University College Dublin, Ireland.
This is the first book-length study to read the "Ancient Mariner" as "poetry," in Coleridge's own particular sense of the word. Coleridge's complicated relationship with the "Mariner" as an experimental poem lies in its origin as a joint project with Wordsworth. J. C. C. Mays traces the changes in the several versions published in Coleridge's lifetime and shows how Wordsworth's troubled reaction to the poem influenced its subsequent interpretation. This is also the first book to situate the "Mariner" in the context of the entirety of Coleridge's prose and verse, now available in the Bollingen Collected edition and Notebooks; that is, not only in relation to other poems like "The Ballad of the Dark Ladiè" and "Alice du Clós," but also to ideas in his literary criticism (especially Biographia Literaria), philosophy, and theology. Using a combination of close reading and broad historical considerations, reception theory, and book history, Mays surveys the poem's continuing life in illustrated editions and educational textbooks; its passage through the vicissitudes of New Criticism and critical theory; and, in a final chapter, its surprising affinities with some experimental poems of the present time.