Termin realizacji zamówienia: ok. 16-18 dni roboczych.
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In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965.
Introduction: Intermedial and Metaphorical Being 1. Rips out of Reality, or the Camera Eye in The Street 2. Annihilate–Illuminate: Photography, Polysemy, and Performance 3. The Mind as Storehouse 4. A Cinema without Film Epilogue: Art as Gesture
Nadja Rottner is Associate Professor of Art History at the University of Michigan-Dearborn.