Acknowledgements
Introduction: A Cinematic Style of Thought
1. Cineworlding with Musics’ Undercommons
2. A Worlding Proposition For/From an Alternate Reality
3. Living Flame of Love: Creative Practice Research and Practical Musicology
4. Virtual and Actual in Posthumanography
5. Diagrammatic Posthumanography of Margø’s “In Between”
6. Bodying in Intensive and Extensive Spaces: “John Wort Hannam is a Poor Man”
7. Quartet 2 and Affective Vectoring
8. Crystal Image in Cinematic Research-Creation: Pimachihowan, A Case Study
9. The Crowd Behind the Lens: We’re Too Loud
10. Elders’ Room: The Opportunities and Challenges of Decoloniality
11. Activist Minor Cinema
NotesIndex