Cinematic Intermediality: Theory and Practice

ISBN-13: 9781474446341 / Angielski / Twarda / 2021 / 208 str.

Kim Knowles;Marion Schmid

Spis treści

List of Illustrations; Acknowledgements; Contributors; INTRODUCTION Kim Knowles and Marion Schmid; Part 1. MAPPING THE INTERZONE; 1: ‘Film and Performance: Intermedial Intersections’, Stephen Barber; 2: ‘Carving Cameras: Antonioni’s Lo Sguardo di Michelangelo (2004)’, Steven Jacobs; 3: ‘The Photo-Filmic and the Post-Human: Picturesque Landscapes at the Peripheries of Global Cinema’, Ágnes Peth?; 4: Martine Beugnet, ‘Dream Screen: On Cinema and Painting, Blur and Absorption’; Part 2. THE INTERMEDIAL AVANT-GARDES; 5: Christopher Townsend, ‘From the Periphery to the Interstices: Avant-Garde Film, Medium Specificity and Intermediality, 1970-2015’; 6: Lucy Reynolds, The ‘Artist as Filmmaker’: Modernisms, Schisms, Misunderstandings’; 7: Barnaby Dicker, ‘The Artwork/Statement as Intermedial Nexus: Paul Sharits’s N:O:T:H:I:N:G’; Part 3. TECHNOLOGY, APPARATUS, AFFECT; 8: Boris Wiseman, ‘Intermediality and the Origins of Cinema’; 9. Gabriele Jutz, ‘Cinematography’s Blind Spots: Artistic Exploitations of the Film Frame’; 10: Marion Schmid, ‘Filming and Feeling between the Arts: Pascale Breton, Suite Armoricaine and Eugène Green, Le Fils de Joseph’; Part 4. INTERMEDIAL CREATION; 11: Adam Roberts, ‘What Does a Dance Filmmaker See?’; 12. Isabel Rocamora, ‘Performance, Moving Image, Installation: the Making of Body of War and Faith’; 13: Anna Vasof, ‘Muybridge's Disobedient Horses: Non-Stop Stop-Motion’; 14: Sarah Pucill, ‘A Dialogue With Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror’; Index