Cinema-Monde: Decentred Perspectives on Global Filmmaking in French

ISBN-13: 9781474431842 / Angielski / Miękka / 2019 / 392 str.

Michael Gott;Thibaut Schilt

Opis

The first book devoted to a wide-ranging study of developments in global French-language cinema, from Quebec to Mauritania and from Belgium to Cambodia, Cin ma-monde picks up on the lively scholarly debates generated by the related topic of litt rature-monde. Extending the scope of this debate to cover the thriving and diverse area of international French-language cinema, this innovative book also considers cinema from France within the context of global production. With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid Bouchareb, Abderrahmane Sissako and Rithy Panh, Cin ma-monde explores the porous borders around francophone spaces and the ways in which languages and identities 'travel' in contemporary cinema.

Spis treści

Introduction: The Kaleidoscope of Cinéma-monde; Section I: From Local to Global: The Cinéma(s)-monde(s) of Auteurs and Actors; Chapter 1: ‘Site 2: Style and Encounter in Rithy Panh’s cinéma-monde’, Joseph Mai; Chapter 2: ‘Globalization, Cinema and Terrorism in Rachid Bouchareb’s Films: London River, Baton Rouge and Little Senegal’, Mireille Rosello; Chapter 3: ‘Guerrilla Filmmaking with Rachid Djaïdani’, Laura Reeck; Chapter 4: ‘Globalization, Cinéma-monde, and the Work of Abderrahmane Sissako’, Dayna Oscherwitz; Chapter 5: ‘The Career of Actress Hafsia Herzi: Crossing Borders, Challenging Barriers’, Leslie Kealhofer-Kemp; Section II: Voyages, Limits and Borders; Chapter 6: ‘Lost at Sea or Charting a New Course? Mapping the Murky Contours of Cinéma-monde in Floating Francophone Films’, Michael Gott; Chapter 7: ‘The Beautiful Fantasy: Imaginary Representations of Football in West-African Cinema’, Vlad Dima; Chapter 8: Merry Christmas in No Man’s Land: European Borders, Language Barriers and Front Lines in Christian Carion’s Joyeux Noël, Gemma King; Chapter 9: ‘An Ostrich, a Backhoe and a Few Ski-doos: Tracking the Road Movie in Quebec and Beyond’, Thibaut Schilt; Chapter 10: ‘Accented Mappings of France in a Globalized World: Le Havre (2011) and Samba (2014) Through the Lens of Cinéma-monde’, Leïla Ennaïli; Section III: Hubs and Spheres of Production; Chapter 11: ‘Activist Cinéma-monde in Paris: Filming Foreigners in the French Capital’, - Alison Rice; Chapter 12: ‘Cinema Made in Liège: A ‘Hub’ of Francophone Belgian Filmmaking’, Jaime Steele; Chapter 13: ‘“Images of Diversity”: Film Policy and the “State Struggle” for the Representation of Difference’, Michelle Stewart; Chapter 14: ‘Youth and Média-Engagé: Is This West Africa's Heterolinguistic Cinéma-monde?’, Carina Yervasi; Epilogues; ‘Worlds Within; In the World’, Bill Marshall; 'Cinéma-monde as a Call to Arms’, Lucy Mazdon; ‘Cinéma-monde and the Transnational’, Lucy Mazdon