2. Judit Pieldner:Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema
3. Ágnes Peth?: Sculpture and Affect in Cinema’s Expanded Field. From Aleksey Gherman Sr.’s Hard to be a God to Aleksey Gherman Jr.’s Under Electric Clouds
4. Mareike Sera: Intermedial Densities in the Work of Jan Švankmajer. A Media-Anthropological Case Study
Immersions into Memory, Culture and Intermediality
5. Christina Stojanova: Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema
6. Melinda Blos-Jáni: Photographic Passages to the Past in Eastern-European Nonfiction Films
7. Katalin Sándor: Trauma, Memorialization and Intermediality in Jasmila Žbani?’s For Those Who Can Tell No Tales
8. Fatima Chinita: An Immersive Theatrical Journey through Media and Time in Alexander Sokurov’s Russian Ark
Reflections upon Reality, Representation and Power
9. Malgorzata Bugaj: The Real and the Intermedial in Alexander Sokurov’s Family Trilogy
10. Zsolt Gyenge: This is Not Magritte.Corneliu Porumboiu’s Theory of Representation
11. Gabriel Laverdière: Digital Détrompe l’Oeil and Contemporary Polish Narrative Cinema
12. Bence Kránicz: False Gods. Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema