What does it mean to perform with virtuosity? And how does a black male dancer navigate the tensions and contradictions of this at once glorified and vilified pursuit? In this groundbreaking study, Ariel Osterweis interprets the virtuosic performances of a dancer whose artistry defies categorization. Body Impossible reveals the dance of Desmond Richardson to be a site of both struggle and beauty. Weaving together the choreopolitics of blackness and queerness in America since the Reagan era, Body Impossible disrupts the very notions of what it means to be a virtuoso. With prose informed at every step by a dancer's muscle memory, Osterweis leads us to the ends of movement and beyond: into the social sphere it ceaselessly negotiates.
Ariel Osterweis holds a Ph.D. in Performance Studies from the University of California, Berkeley and is on faculty at the California Institute of the Arts. Research interests include embodied performance with a focus on race, gender, and sexuality. Osterweis has worked professionally as a dancer and performer with Complexions Contemporary Ballet, Mia Michaels R.A.W., Heidi Latsky Dance, and Julie Tolentino, and as a dramaturg for John Jasperse and Narcissister.