This is a most fascinating study of what world cinema reveals about our globalized world. This exceptionally comprehensive book provides insightful analysis of a wide variety of the most high-profile films from both Global Hollywood and Global Auteurs. From Skyfall to Jia Zhangke there is something here for anybody curious about how cinema illuminates the global nature of contemporary everyday life. Most crucially, Jeong expertly uncovers how an "abject agency" is revealed on screen which may yet gesture towards a hopeful and inclusive politics even for catastrophic times.
Seung-hoon Jeong is Assistant Professor of Film and Electronic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology.