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Representing a profound engagement with the work of Samuel Beckett, this volume gathers the very best of Stan Gontarski's Beckett criticism on practical, theoretical and critical levels.
Remains of the Modern: The Exhaustion of Thematics; Part I: Theory Matters; 1. Beckett’s Voice(s); 2. From Unabandoned Works: Beckett’s Short Prose; 3. The Conjuring of Something Out of Nothing: Beckett’s ‘Closed Space’ Novels; 4. Beckett’s “Imbedded” Poetry and the Critique of Genre; 5. Art and Commodity: Beckett’s Commerce with Grove Press; Part II: Texts Matter; 6. Editing Beckett; 7. A Century of Missed Opportunities: Editing an Accurate Editions of Samuel Beckett’s “Shorts” and other Textual Misadventures; 8. Still at Issue after All These Years: The Beckettian Text, Printed and Performed; Part III: Performance Matters; 9. ‘That’s the Show’: Beckett and Performance; 10. Reinventing Beckett; 11. Staging Beckett: Voice and/in Performance, Company, What Where, and Endgame; 12. Samuel Beckett and the ‘Idea’ of Theatre: Performance through Artaud and Deleuze; 13. Greying the Canon: Beckett in Performance, Beckett as Performing; 14. ‘I think this does call for a firm stand’: Beckett at the Royal Court.