'… Greig provides a masterful overview and a number of pointed insights into the 'hows' and 'whys' of baroque music's relationship to film music.' Rebecca Fülöp, Journal of the Riemenschneider Bach Institute
Introduction; 1. Baroque Music Before World War Two; 2. The Vivaldi Revival; 3. Bresson, Pasolini, and Musical Disconnection; 4. Authenticity and Historically Informed Performance; 5. The Neobaroque, the New Baroque and Minimalism; 6. Final thoughts.