‘Seziyosengwa yinkehli! (There is power in a woman’s voice). This inspiring book by a woman writer gives other women a platform to tell their stories in the best African way possible – ngomculo (through music).’
— Boni Zungu, Senior Lecturer: African Languages, University of the Witwatersrand
Acknowledgements
1. Introduction: Women’s Songs in a Patriarchal Society
2. A Theoretical Framework for the Analysis of Women’s Songs
3. Popular Songs in African Contexts: An Overview of the Literature
4. The Performance Settings of the Zwelibomvu Women’s Songs
5. Gender and Power in Contemporary Women’s Songs
6. Composition and Circulation of Contemporary Women’s Songs
7. Conclusion: Bahlabelelelani-ke – Why Then, Do They Sing?
Appendix
Select Bibliography
Index
Nompumelelo Zondi is Associate Professor and Head of the Department of African Languages at the University of Pretoria.