Arts, Ecologies, Transitions

ISBN-13: 9781032596143 / Angielski / Miękka / 2024 / 248 str.

Opis

Arts, Ecologies, Transitions provides indepth insights into how aesthetic relations and current artistic practices are fundamentally ecological and intrinsically connected to the world. As art is created in a given historic temporality, it presents specific modalities of productive and sensory relations to the world.

Spis treści

Preface          

Roberto Barbanti, Isabelle Ginot, Makis Solomos and Cecile Sorin

 

Introduction 

Roberto Barbanti, Isabelle Ginot, Makis Solomos and Cecile Sorin

 

1.     Acoustic Ecology      

 

Kostas Paparrigopoulos

 

2.     Aesthetic Subjectivation       

 

Roberto Barbanti                   

 

3.     Aisthesis        

 

Carmen Pardo Salgado         

 

4.     Alienation      

 

Eric Lecerf

 

5.     Animal                       

 

Baptiste Morizot

 

6.     Anthropocene and Aesthetics (The)  

 

Matthieu Duperrex                

 

7.     Architecture   

 

Philippe Chiambaretta

 

8.     Art and Milieu (Works of)     

 

Yann Aucompte          

 

9.     Art in Common          

 

Estelle Zhong Mengual

 

10.  Biodiversity: An Aesthetic Emergency         

 

Joanne Clavel

 

11.  Cinema          

 

Damien Marguet        

 

12.  Co-creation: Collective, Participatory, and Immersive Art   

 

Alice Gervais-Ragu                

                 

13.  Collapsonauts

 

Yves Citton and Jacopo Rasmi

 

14.  Contemporary Dance

 

Joanne Clavel

 

15.  Decoloniality 

 

Nathalie Coutelet

 

16.  Degrowth       

 

Kostas Paparrigopoulos and Makis Solomos

 

17.  Digital Creation         

 

Anne-Laure George-Molland and Jean-Francois Jego

 

18.  Documentary Arts      

 

Soko Phay      

 

19.  Ecocriticism and Ecocinema 

 

Cecile Sorin   

 

20.  Ecofeminism 

 

Frederick Duhautpas 

 

21.  Ecofeminist Territories          

 

Tiziana Villani

 

22.  Ecosomatics   

 

Marie Bardet, Joanne Clavel and Isabelle Ginot

 

23.  Garden (The) 

 

Gilles Clement

 

24.  Geography and Aesthetic Production of Ecological Issues   

 

Joanne Clavel, Clara Breteau and Nathalie Blanc

 

25.  Graphic Design          

 

Yann Aucompte          

 

26.  I for Iconoemic          

 

Giusy Checola

 

27.  Landscapes, Territory, and Urbanism

 

Alberto Magnaghi      

 

28.  Learning and Experience       

 

Anastasya Chernigina and Antoine Freychet

 

29.  Literature and the Commons 

 

Remi Astruc and Thierry Tremblay

 

30.  Literature(s)   

 

Aline Berge

                                                                                         

31.  Memory and Choreographic Works  

 

Isabelle Launay          

 

32.  Music 

 

Carmen Pardo Salgado and Makis Solomos

 

33.  Musical Performance and Wet Markets        

 

Pavlos Antoniadis      

 

34.  Performance  

 

Helene Singer

 

35.  Pest Plants      

 

Lorraine Verner         

 

36.  Photography   

 

Michel Poivert

 

37.  Place  

 

Augustin Berque        

 

38.  Plastic Arts     

 

Lorraine Verner

 

39.  Recycling       

 

Gala Hernandez Lopez          

 

40.  Site Specificity

 

Lorraine Verner

 

41.  Socially-Engaged Art

 

Isabelle Ginot

 

42.  Sound and Sound Milieus      

 

Makis Solomos           

 

43.  Sound Art       

 

Susana Jimenez Carmona, Carmer Pardo Salgado and Matthieu Saladin

 

44.  Technology and Economy of Means 

 

Agostino DiScipio      

 

45.  Territory         

 

Ludovic Duhem

           

46.  Theatre

 

Eliane Beaufils and Julie Sermon      

 

47.  Transitory Urbanism  

 

Fabrice Rochelandet 

 

48.  Visual 

 

Claire Fagnart           

 

49.  Walking Art    

 

Antoine Freychet and Anastasia Chernigina

 

Bibliography 

O autorze

Roberto Barbanti is Emeritus Professor in the Department of Visual Arts at the Université Paris 8 and a member of the AIAC research unit. He cofounded and co-edited the journal Sonorités (2006-2017) and is an advisory board member for the publisher Eterotopia France. His research areas cover ecosophy, sound ecology, and contemporary art. His publications include: Les limites du vivant (co-edited with Lorraine Verner, 2016), Dall’immaginario all’acustinario. Prolegomeni a un’ecosofia sonora (2020), and Les sonorités du monde. De l’écologie sonore à l’écosophie sonore (2023).

 

Isabelle Ginot is Professor of Dance Studies at the Université Paris 8, and co-founder of the association A.I.M.E. Her two main areas of research intersect with issues of vulnerability and difference in dance. The first addresses dance performance analysis and criticism, and focuses on artists with disabilities who perform on stage. The second analyses practices, especially practices (workshops, performances, participatory art) with “non dancers” who have disabilities, are aging, or are affected by social discrimination and exclusion. From 2010 to 2019, she chaired the research group Soma&Po, developing research and practices on the political and social uses of somatic practices. Currently, she runs a practice-based seminar titled “Mouvements engagés” (Engaged moves), a peer-led workshop that shares dance practices in French care institutions. Lastly, she investigates alternative formats for academic research, involving the participation of artists, activists and non-scholar actors.

 

Solomos Makis was born in Greece and living in France, Makis Solomos is Professor of Musicology at the Université Paris 8 and director of the research unit MUSIDANSE. He has published many books and articles about new music. His main areas of research are the focus on sound, the notion of musical space, new musical technics and technologies, the mutations of listening, and the ecology of sound. His book From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music (Routledge, 2019) deals with an important change in today’s music. His latest book Towards an Ecology of Sound: Environmental, Mental and Social Ecologies in Music, Sound Art and Artivisms (Routledge, 2023) addresses an expanded notion of ecology, mixing environmental issues and socio-political questions. He is also one of the main Xenakis specialists, to whom he devoted many publications. For Xenakis’s centenary (2022), he co-organized the Xenakis22: Centenary International Symposium and he is the editor of Révolutions Xenakis (Éditions de l’Œil – Philharmonie de Paris, 2022). 

 

Cécile Sorin is currently Professor in the Department of Cinema at the Université Paris 8. After having published books on practices of parody and pastiche in cinema (Pratiques de la parodie et du pastiche au cinéma, 2010) and Pasolinian pastiche (Pasolini, pastiche et mélange, 2017), she is currently examining processes of subjectivation in Pasolinian cinema and contemporary French cinema. Her recent work reassesses Pasolini work through the prism of ecopoetics. In addition, she is co-editor of the Esthétiques hors cadre series from Presses Universitaires de Vincennes.