Architects Brain

ISBN-13: 9781405195850 / Angielski / Twarda / 2009 / 288 str.

Harry Francis Mallgrave

Opis

The Architect's Brain: Neuroscience, Creativity, and Architecture is the first book to consider the relationship between the neurosciences and architecture, offering a compelling and provocative study in the field of architectural theory.

• Explores various moments of architectural thought over the last 500 years as a cognitive manifestation of philosophical, psychological, and physiological theory
• Looks at architectural thought through the lens of the remarkable insights of contemporary neuroscience, particularly as they have advanced within the last decade
• Demonstrates the neurological justification for some very timeless architectural ideas, from the multisensory nature of the architectural experience to the essential relationship of ambiguity and metaphor to creative thinking

Recenzje

"Hence these two books from the same publisher and by the same author, Harry Francis Mallgrave, sole writer of the former and co–author with David Goodman of the second book, make a valuable contribution to this growing field of knowledge." (Architectural Review, 1 July 2011)

"Since I studied architecture ... I always heard the diatribe about if architecture is an art or a science, I personally believe is both. If you’re interested in both architecture and science be sure to grab a copy of this interesting book." (Eclectic Me Blog, April 2010)

Spis treści

Introduction

Part One: Historical Essays

1. The Humanist Brain (Alberti, Vitruvius, and Leonardo).

2. The Enlightened Brain (Perrault, Laugier, and Le Roy).

3. The Sensational Brain (Burke, Price, and Knight).

4. The Transcendental Brain (Kant and Schopenhauer).

5. The Animate Brain (Schinkel, Bötticher, and Semper).

6. The Empathetic Brain (Vischer, Wölfflin, and Göller).

7. The Gestalt Brain (The Dynamics of the Sensory Field).

8. The Neurological Brain (Hayek, Hebb, and Neutra).

9. The Phenomenal Brain (Merleau–Ponty, Rasmussen, and Pallasmaa).

Part Two: Neuroscience and Architecture.

10. Anatomy: Architecture of the Brain.

11. Ambiguity: Architecture of Vision.

12. Metaphor: Architecture of Embodiment.

13. Hapticity: Architecture of the Senses.

14. Epilogue: The Architect′s Brain.

Endnotes.

Bibliography.

Index.

O autorze

Harry Francis Mallgrave is a professor of architecture at Illinois Institute of Technology and has enjoyed a distinguished career as an award–winning scholar, translator, and architect. His most recent publications include Modern Architectural Theory: A Historical Survey, 1673–1968, and the two–volume Architectural Theory: An Anthology from Vitruvius to 2005 (Wiley–Blackwell 2008). His forthcoming Introduction to Architectural Theory: 1968 to the Present. A Critical History will be published by Wiley–Blackwell in 2010. 

Blurb

Did classical and Renaissance theory in fact have a biological basis? Does the architect possess a highly specialized brain? Is neuroscience today providing architecture with a new foundation for design thought?

These are a few of the compelling suggestions offered by this richly detailed study, which explores – from two perspectives – the issue of how architects and designers view the phenomenal world. In part one of The Architect′s Brain, Mallgrave sketches various moments of architectural thought over the last 500 years as a cognitive manifestation of philosophical, psychological, and physiological theory. In part two, he repositions this question from the perspective of the remarkable insights of contemporary neuroscience, particularly as they have advanced within the last decade. What emerges is a surprising neurological justification for some very timeless architectural ideas, from the multisensory nature of the architectural experience to the essential relationship of ambiguity and metaphor to creative thinking. The author cogently argues that architecture (aside from its intellectual affectations) is radically an emotional and perceptual experience grounded in biological values that should be placed in the foreground. Not since Richard Neutra′s Survival Through Design (1954) has such a provocative thesis been put forth in the field of architectural theory.