'Harb explores the evolution of the aesthetic theory of Arabic poetry in the middle Abbasid era. She demonstrates a shift from poetry valued for its 'naturalness' and 'truthfulness,' dating from pre-Islamic Arab times, to poetry esteemed for its 'eloquence' and ability to engender feelings of 'wonder' and 'discovery.' Harb argues that this new paradigm turns the notion of poetic beauty on its head … Finally, Harb offers this aesthetic as potentially relevant to the study of other literatures.' M. F. McClure, Choice
Introduction; 1. Wonder: a new paradigm; 2. Wonder in Aristotelian Arabic poetics; 3. Discovery in Bayān; 4. Metaphor and the aesthetics of the sign; 5. Naẓm, wonder, and the inimitability of the Quran; Epilogue. Faṣāḥa, balāgha, and poetic beauty.