Termin realizacji zamówienia: ok. 20 dni roboczych.
Darmowa dostawa!
This book presents, in their entirety, seven key documents that have fundamentally shaken up and helped change the face of image culture in the Middle East and beyond.
2. The Naksa’s New Cinema: New Cinema Group, “Manifesto of New Cinema in Egypt” (1968)
3. Cinematic Third Worldism: “Resolutions of the Third World Filmmakers Meeting” (Algeria, 1973)
4. Cinema within Armed Struggle: “Manifesto of the Palestinian Cinema Group” (1972) and Popular Front for the Liberation of Palestine, “The Cinema and the Revolution”
5. The Images Are the Revolution’s”: Mosireen, “Revolution Triptych” (2013)
Kay Dickinson is Professor of Film Studies at Concordia University, Canada. She is author of Arab Cinema Travels: Transnational Syria, Palestine, Dubai and Beyond (2016), as well as numerous articles on Arab film culture within such journals as Camera Obscura, Screen, Cinema Journal, and Framework. She co-edited The Arab Avant-Garde: Music, Politics, Modernity (2013), and co-wrote Film Studies: A Global Introduction (2016).