Among the volume's many virtues, I am struck in particular by the boldness among all authors in staking out interpretively ambitious stances that offer great potential reward ... the book offers occasion to rethink human positioning in light of the horrific errors regarding self-conception in our own time by returning to the ancient view of the interconnected cosmos in which the human is merely a part, and one materially dependent on the whole.
Emanuela Bianchi is Associate Professor of Comparative Literature at New York University. She works at the intersection of ancient Greek philosophy and literature, French and German nineteenth- and twentieth-century philosophy, and feminist and queer theory. She is the author of The Feminine Symptom: Aleatory Matter in the Aristotelian Cosmos (Fordham University Press, 2014), and has published numerous articles in journals including Hypatia , The Yearbook of Comparative Literature , Graduate Faculty Philosophy Journal , Philosophy Today , Epochê , and Angelaki .
Sara Brill is Professor of Philosophy at Fairfield University. She works on the psychology, politics, and zoology of Plato and Aristotle, as well as contemporary feminist and political theory. She is the author of Plato on the Limits of Human Life (Indiana University Press, 2013) and has published numerous articles on Plato, Aristotle, Greek tragedy, and the Hippocratic corpus.
Brooke Holmes is Robert F. Goheen Professor in the Humanities and Professor of Classics at Princeton University. Her research centres on ancient medicine and life science, Greek literature (especially Homer and tragedy), ancient philosophy, reception studies, literary theory, and continental philosophy. She is the author of The Symptom and the Subject: The Emergence of the Physical Body in Ancient Greece (Princeton University Press, 2010) and Gender: Antiquity and its Legacy (I. B. Tauris and OUP, 2012) and has co-edited four books, including the experimental publication Liquid Antiquity (DESTE Foundation for Contemporary Art, 2017), which was accompanied by an exhibition at the Benaki Museum in Athens.