Anthropology Shelf

ISBN-13: 9781405189200 / Angielski / Twarda / 2009 / 232 str.

Alisse Waterston

Opis

In Anthropology off the Shelf, leading anthropologists reflect on the craft of writing and the passions that fuel their desire to write books.

• First of its kind volume in anthropology in which prominent anthropologists and 3 respected professionals outside the discipline follow the tradition of the -writers on writing- genre to reflect on all aspects of the writing process
• Contributors are high-profile in anthropology and many have a strong presence outside the field, in popular culture
• Unique in its format: short essays, revealing and straightforward in content and writing style

Recenzje

" Anthropology off the shelf ought to be on every introductory reading list..." ( Journal of the Royal Anthropological Institute, August 2010)

The essays are both provocative and provoking, compelling and edgy. Whether this thrust in anthropology or in academia in general will continue, books like this are required to keep the intellectual energy within the academy vital and engaged. Indispensible reading across disciplines. Summing Up: Essential. ( CHOICE, October 2009)

Spis treści

Acknowledgments.

Notes on Contributors.

Foreword (Cheryl Mwaria).

1. Introduction: The Writer in the Anthropologist (Maria D. Vesperi and Alisse Waterston).

Part I: Conceptions.

2. Speaking Truth to Power with Books (Howard Zinn).

3. Remember When Writing Was Fun? Why Academics Should Go On a Low Syllable, Active Voice Diet (Karen Brodkin).

4. The Bard (Carolyn Nordstrom)

5. Saggin′ and Braggin′ (Lee D. Baker).

6. Stories for Readers: A Few Observations from Outside the Academy (Andrew Barnes).

Part II: Creations.

7. Writing Poverty, Drawing Readers: Stories in Love, Sorrow and Rage (Alisse Waterston).

8. Write ous Indignation: Black Girls, Dilemmas of Cultural Domination and the Struggle to Speak the Skin We Are In (Signithia Fordham).

9. Writing Truth to Power: Racism as Statecraft (Arthur K. Spears).

10. Remembering Octavia (Sharon Ball).

11. Believing in Anthropology as Literature (Ruth Behar).

Part III:  Receptions.

12. Walking in Zora′s Shoes or "Seek[ing] Out de Inside Meanin′ of Words": The Intersections of Anthropology, Ethnography, Identity, and Writing (Irma McClaurin).

13. Off the Shelf and Into Oblivion? (Catherine Kingfisher).

14. "Don′t Use Your Data as a Pillow" (S. Eben Kirksey).

15. The Trope of the Pith Helmet: America′s Anthropology, Anthropology′s America (Micaela di Leonardo).

16. The Book that Wrote Me (Roger Sanjek).

17. Fighting Words (Paul Farmer).

18. Taking Chances (Maria D. Vesperi).

Index.

O autorze

Alisse Waterston is Professor of Anthropology at John Jay College of Criminal Justice, City University of New York. Author of Love, Sorrow and Rage: Destitute Women in a Manhattan Residence (1999), she is currently working on two intimate ethnographies: Out of the Shadows of History and Memory: Writing My Father′s Life and Narrating Poland.

Maria D. Vesperi is Professor of Anthropology at New College of Florida and a trustee of the Poynter Institute. Author of City of Green Benches: Growing Old in a New Downtown (1986), she is currently completing a book on the relationship between ethnographic narrative and narrative journalism and developing a 150–year social history of a utopian community turned company town.

Blurb

In Anthropology off the Shelf, leading anthropologists consider the craft of writing and the deeply–rooted passions that fuel their desire to write books. In eighteen original essays, the contributors reveal their inspirations and worries, their narrative strategies and imagined audiences, their habits and how they get people to read what they write. The authors reflect on the very personal decisions required to take a work of anthropology from its initial conception to its creation, and beyond that to its reception by actual readers.

This path–breaking anthology offers rich detail on how writers steer through difficult issues of racism, sexism, real and imagined critics, and ethical quandaries. In captivating first–person accounts, the reader gets sharp insight into the creative process and the challenges of bringing new ideas into the public conversation.