1. Introduction: Biographies, Animals and Individuality
André Krebber and Mieke Roscher
Explorations
2. Living, Biting Monitors, a Morose Howler, and Other Infamous Animals: Animal Biographies in Ethology and Zoo Biology
Matthew Chrulew
3. Finding a Man and his Horse in the Archive?
Hilda Kean
4. Recovering and Reconstructing Animal Selves in Literary Autozoographies
Frederike Middelhoff
Reflections
5. A Dog’s Life: The Challenges and Promise of Animal Biography
Aaron Skabelund
6. “We Know Them All” – Does it Make Sense to Create a Collective Biography of the European Bison?
Markus Krzoska
7. Animal Life Stories; Or, the Making of Animal Subjects in Primatological Narratives of Fieldwork
Mira Shah
Constructions
8. Taxidermy's Literary Biographies
Susan McHugh
9. Caesar – The Rise and Dawn of a Humanimalistic Identity
Daniel Wolf
10. Postscript, Posthuman: Werner Herzog's “Crocodile” at the End of the World
Dominic O’Key
Experiments
11. The Elephant’s I: Looking for Abu’l Abbas
Radhika Subramaniam
12. Topsy: The Elephant We Must Never Forget
Kim Stallwood
13. Online Animal (Auto-)Biographies: What Does it Mean When We “Give Animals a Voice”?
Margo DeMello
André Krebber is Lecturer in Theory and History of Human-Animal Relations at the University of Kassel, Germany.
Mieke Roscher is Assistant Professor for Social and Cultural History and the History of Human-Animal Relations at the University of Kassel, Germany.
While historiography is dominated by attempts that try to standardize and de-individualize the behavior of animals, history proves to be littered with records of the exceptional lives of unusual animals. This book introduces animal biography as an approach to the re-framing of animals as both objects of knowledge as well as subjects of individual lives. Taking an interdisciplinary perspective and bringing together scholars from, among others, literary, historical and cultural studies, the texts collected in this volume seek to refine animal biography as a research method and framework to studying, capturing, representing and acknowledging animal others as individuals. From Heini Hediger’s biting monitor, Hachikō and Murr to celluloid ape Caesar and the mourning of Topsy’s gruesome death, the authors discuss how animal biographies are discovered and explored through connections with humans that can be traced in archives, ethological fieldwork and novels, and probe the means of constructing animal biographies from taxidermy to film, literature and social media. Thus, they invite deeper conversations with socio-political and cultural contexts that allow animal biographies to provide narratives that reach beyond individual life stories, while experimenting with particular forms of animal biographies that might trigger animal activism and concerns for animal well-being, spur historical interest and enrich the literary imagination.