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This book offers a new approach to film studies by showing how our brains use our interpretations of various other films in order to understand Alfred Hitchcock's Vertigo.
Chapter 4: Forcing Insight with Sight and the Availability Heuristic
Chapter 5: Vertigo, Duchamp’s Anémic Cinéma, and a Žižekian Brassiere
Chapter 6: Vertigo, Man Ray’s L’Etoile de mer, and Flowers
Chapter 7: Vertigo, Kubrick’s The Shining, Spellbound and Liberty
Chapter 8: Vertigo, Lynch’s Twin Peaks and the Record Player
Chapter 9: Vertigo, Etrog’s Spiral, The Shining and Traumatic Memory
Chapter 10: Vertigo, The Shining, Spatial Mental Models, and the Uncanny
Robert J. Belton has taught film studies, popular music, and art history and theory at The University of British Columbia, McMaster, Western and Queen’s Universities. He is author of Sights of Resistance: Approaches to Canadian Visual Culture and other books.